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It’s a cormorant—and it’s black
We’ll admit it: More often than not
in conjunction with Max Miedinger and Eduard Hoffmann
That’s how useful this book is
and Peter Saville] that changed the face of British graphics in the 1980s
Modern Typography: An Essay in Critical History 2022-11-14 It’s a cormorant—and it’s blackThis one is a brisk tour through the history of Western typography, from the time (c. 1700 in France and England) when it can be said to have become modern. To trace the developments and shifts in modern typography, a spotlight is directed at different cultures in different times. Attention is given to ideas, to social context, and to technics, thus stepping over the limited and tired tropes of stylistic analysis. It is largely a reader with a small
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