Autumn Magic — Framed Piece Frame:White Drawing was the foundation on

Drawing was the foundation on which all of Glen's painting rested

regarding the viewer with one bright bead of an eye

the cream-coloured paper ground giving the whole composition a warm

the way the brown plumage catches and absorbs light differently from a smaller hawk

the golden flanks: all of it is there in Glen's watercolour

Autumn Magic — Framed Piece Frame:White Drawing was the foundation onA still beaver pond opens onto a horizon of wine coloured hills, framed by maples burning red and yellow against a slate sky. This piece sits a little apart in Glen's catalogue looser, more painterly, executed in coloured pencil rather than watercolour, the texture of the paper showing through every stroke. It is the kind of scene any Canadian who has paddled north in late September knows by heart. Glen worked from his own field sketches and