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But it is ultimately a satirical portrait of our society that the artist mischievously portrays in this book
blending avant-garde aesthetics with storytelling
Kostas Murkudis remembering 1973
Hélène Meisel
It was in this public space that an enormous white leather couch sat directly in front of the biggest flatscreen TV on offer
n+1 Magazine Issue 51: FORCE MAJEURE delete But it is ultimately aNew AI & I literature. Relate, revolt! Does Trump hate art? Idiocracy now. The new faces of ICE. Fiction by Elizabeth Schambelan.
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