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The dancer connects the helmet to my father’s story
Layering the archival records of individuals who are documented in terms of their ‘preponderance of Aboriginal blood’ with the inked traces of that blood brings together the personal and the political in a manner that is more than a glib statement – it makes no bones about the systematic and official discrimination that underlies Australian history and the experience of generations of Aboriginal Australians
Gugu Badhun
our little child
Morrison commenced studying art at TAFE in 2010 and has completed a Certificate and a Diploma in Aboriginal and Torres Strait Islander Cultural Arts
KEITH WIKMUNEA | 'Piintal' | Acrylic paint on linen / Framed (1) Rite of Passage The dancer connects the helmet"During Onchan min Season, the salt pans begin to dry out. There is still a little bit of water left over from Kaap season but it's mainly dried out. You can start to use the old hunting tracks again at this time of the year." Keith Wikmunea was born in 1967 in Aurukun. He was raised in Aurukun by his parents. Keith is from Wik Alken (mothers side) and Wik Mungkan (fathers side). His totems are the White Cockatoo, and Goanna from his fathers side, and
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